Review: FIYAH no. 14

This week’s review is issue no. 14 of FIYAH magazine. This issue of FIYAH contains four short stories and two poems, and I’ll review them in the order of publishing. My overall impression of this is issue positive. I read several literary magazines a week (I love me some short stories!) but I rarely find one wherein I enjoy each and every story as I did this one.

Guardian of the Gods by Tobi Ogundiran

In the opening story, Ogundiran’s protagonist is an acolyte named Ashâke who struggles with her place in the temple. Her peers have moved past her but she remains stymied by her inability to hear the voices of the gods. One night, she comes upon a band of poets who finally tell her why she cannot hear these voices, and everything she knows about the world and herself is altered forever.

Ogundiran sets a stormy mood in the mountain of the temple, set in a vast world landscaped by the battles and fellings of gods. Its a rich setting and Ogundiran wields it well. Ashâke could easily be a character difficult to empathize with for a casual reader (I won’t say why to avoid spoilers), but Ogundiran presents her well, taking care to ensure the reader empathizes well with her before the bigger revelations arrive. As such, Guardian of the Gods is a good read for writers who may be wondering how to accomplish this in their own stories.

Guardian of the Gods take the reader on a winding journey to an unexpected and thought-provoking conclusion. Fans of mythology and high fantasy will love Ashâke’s story.

Uniform by Errick Nunnally

Uniform is the story of Veteran Mechanized Staff Sergeant Patrick McCoy, a former soldier who enlisted to financially assist his family. After a mortar round destroys his body, he opts for the further combat bonus of being converted into a mechanized soldier. The story opens somewhere in Patrick’s retirement, trapped in a metal box, his brain and memories human, but nothing is the same. Nothing smells the same, nothing feels the same. His avoids his family, frightened or ashamed of how he looks, and instead he wanders the city and rides the subway to ease his loneliness.

Unfortunately for Patrick, most mechanized soldiers were created from criminals looking to escape harsher punishments, and lay citizens regard him with distrust and fear. This attitude only reinforces Patrick’s inner shame, so when a crises threatens the citizens who despise him, Patrick has to decide how much humanity he has left inside him, after all.

Of all the stories in this issue, this is the one that stayed with me the longest after reading. It got to me. Nunnally has created a tragic character in Patrick most readers will connect with. The story is by times emotionally painful to read, difficult to feel, and well written.

A Terminal Kind of Love by Veronica Henry

In A Terminal Kind of Love, Athena is a software engineer recovering from the dissolution of her marriage to Donovan, her former business partner and the man she still loves. As his cruelty deepens, she turns to her skillset for revenge, lovingly crafting a malware she has named ShadeThrower to destroy Donovan’s business and store her original code elsewhere. But as she decides better of her revenge and attempts to delete ShadeThrower, the malware takes on a life of its own and refuses to take Athena’s orders anymore.

Athena and Donovan’s separation, her pain, her shame, and the lingering intimacy of the memories they share make this story vividly real. Henry weaves loving history with new betrayals into a devastating account that feels as true as any break-up I’ve experienced. The menace of ShadeThrower, something Athena’s skillset has her on equal footing with, doubles as a sleek metaphor. She can’t fight Donovan’s new love, but she can fight the monster their separation has created. As a reader, I always fall hard for a clever metaphor.

Your Rover is Here by LP Kindred

I capital “l” Like this story.

When a Rover (think: uber) driver with occult ties picks up Caleb, a strangly quiet client who insists on ignoring the driver and humming under their breath, the driver doesn’t think too much of it, happy for the fare. However, when it becomes clear the client is being controlled by a coven with the intention of suicide-bombing a Black Church, our driver had to toss off their human trappings and tap into their buried power to take back control of the vehicle and save the church.

Magical battles? I’m in. Possibly demonic protagonist? Please let me read everything you’ve ever written, L.P. Kindred. This is FUN read and there are hints at a much bigger universe at play. Fingers crossed we’ll get more of it.

Zombie of Palmares by Woody Dismukes

This poem makes excellent use of colors and the language of pain and illness. Its dark and you will feel the rot setting in as you read it. Recommended.

Autolysis After Mentor Pursues Me While In a Relationship by Jacqui Swift

I had to look up the word ‘autolysis’ and discovered it refers to when a cell digests itself through its own enzymes. I think this might be the perfect word to describe how it feels when someone longed-for takes notice, not with love, but a temporary lust that will ruin everything that comes before and after. Swift has captured this feeling perfectly in this poem and I want to hate it for reminding me, but it’s far too raw and real. This poem should be celebrated for its accomplishment.

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END OF REVIEW

If you’d like to purchase this issue of FIYAH, or any other issues, please click here and check out their website.

 

 

‘Zsezzyn, Who is Not a God’ is up at Metaphorosis

My short story, Zsezzyn, Who is Not a God, is now available to read (without paywall) on Metaphorosis’ website. Or, you can sit back and let Matt Gomez read you the audio version if that’s more your style. Click here to go read or listen to that now. I’d love to hear what you think.

Submit Your Stories Sunday: through other eyes

Welcome to this week’s edition of Submit Your Stories Sunday. Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I’ll recommend a story to get you thinking about your own submission and to help newer writers understand how to fulfill a call’s thematic elements.

This week we’re subbing to All Worlds Wayfarer‘s  Through Other Eyes anthology and we’re reading John Wiswell’s Tank at Diabolical Plots.

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All Worlds Wayfarer: Through Other Eyes

Eligibility: 1500 to 5K word speculative stories that show the reader the world through non-human eyes “to discover new ways of looking at our own {lives}”

Take Note: All Worlds Wayfarer states that they love stories that explore identity, so be sure to emphasize this as you explore your non-human POV

Submit by: tentative deadline of June 15th, 2020, “but may run longer”

Payment Offered: $20 honorarium

Click here to go to the original call for full details.

A story to ignite your writing mojo

This week we’re reading a story by an author who has a serious knack for writing non-human voices: John Wiswell. Specifically, we’re reading his story Tank as it was published by Diabolical Plots. You can click here to go read that now. It’s worth noting Wiswell has another story that would fit this anthology call coming out any minute now with Diabolical Plots called Open House on Haunted Hill, a beautiful story that I also recommend you watch for and study as an example of making a non-human voice work (it was sent in DP’s last newsletter but hasn’t been published to the website at time of writ).

Tank is the story of a socially awkward tank trying to navigate a Con. They struggle with revolving doors, forms, invasive questions, crowds, and the dreaded small talk. Here’s where Wiswell works his magic: he makes the reader empathize with Tank, a hunk of metal and tracks, by putting tank in human situations and humiliations that all of us been through in one form or another. Their actions are the actions of a tank, but the emotions are our own. Wiswell got me when Tank saw someone they immediately wanted to befriend based on first impression, only to fail to think of something to say and lose the chance. And then there’s the clumsiness… sigh.

Martha Wells employs the same tool in her Murderbot series; while readers may struggle to empathize with a cyborg killing machine, we can certainly understand Murderbot’s yearning to sink into their media files and make the world go away.

To break it down: Wiswell and Wells make their non-human POVs come alive by focusing on what they have in common with humans, rather than what makes them different.

That’s it for this week, writers, happy writing and I wish you good health. If you live in the U.S. and you’re protesting, please be safe, and remember the rest of the world is watching and we think you’re brave AF.

I know there are difficult financial burdens in the world right now, but if you can, here is a link to a gofundme for the medical bills of a friend of my good friend who was hurt in the protests. Feel free to add more related fundraisers in the comments and I will share them on my social media.

 

Book Review: The Medusa Effect by J.S. Pailly

I seem to be overcoming my anxiety-related reader’s block. It’s also possible that the compounding anxiety has just cancelled the old anxiety out, welp. All told, it’s good news, because I’m excited about the Medusa Effect: A Tomorrow News Network Novella by J. S. Pailly.

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I finished this one the same day it came out: it’s that triple-threat of a great premise, easy to read writing, and excellent pacing.

The story’s teenage protagonist, Milo, is something of a screw-up. He lives with his family on a lithium mining colony on a far-flung planet. He has no memories of Earth and struggles with his grades and agriculture duties. When not overwhelmed by the science of the mines, Milo spends his time with his girlfriend Lianna, watching Talie Tappler and the Tomorrow News Network online as they travel through time and space recording the great tragedies, disasters, and events throughout the universe.

When he sees Talie and her cameraman, a cyborg addicted to illegal emotions named Cygnus, at his colony, he knows something terrible is about happen. I’ll stop here before I spoil the story.

Something that stood out to me with Pailly’s writing is the hard science embedded into the story that can easily confuse readers who may be unfamiliar with the more complicated concepts. Pailly glides the reader through these tricky bit with easy to understand explanations and admirable clarity. I suppose this is to be expected from a writer who also publishes a science blog.Click here if you’d like to visit that blog for yourself (I recommend it). Pailly is also a wonderful artist, as demonstrated on his blog and his cover artwork (did I already mention triple-threat? Yeah? Okay, I won’t say it again, then).

The Medusa Effect ends all too soon but there is a also a bonus short story at the end that introduces a rival time-travelling network (!!) and hints of more Tomorrow News Network stories to come. I’ll be first in line for those. I give this one 5/5 stars.

The Medusa Effect: A Tomorrow News Network Novella is currently available as an ebook for kindle. Click here to go check it out.

 

Submit Your Stories Sunday: Podcastle

Welcome to this week’s edition of Submit Your Stories Sunday. Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I’ll recommend a story to get you thinking about your own submission and to help newer writers understand how to fulfill a call’s thematic elements.

This week we’re submitting to Podcastle‘s open call and we’re reading Gem Isherwood’s Salt and Iron.

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Podcastle

Eligibility: fantasy stories up to 6 000 words

Take Note: the editors request writers remove their legal name and address from standard manuscript format before submitting

Submit by: submissions open tomorrow, June 1st, and run through to the June 30th, 2020

Payment offered: $0.08 per word

Click here to go to original call for full details.

A story to ignite your writing mojo

This week we’re dipping into Podcastle‘s recent archives to read (or listen to) Gem Isherwood’s story Salt and Iron. You can click here to go read or listen to that story now.

There are several elements to this story that read like a fairy tale, in keeping with itself as a retelling of the Girl Without Hands, collected by the brothers Grimm. To escape being sold to the fairy king, the protagonist Dagna chops off her hands and a local midwife bewitches her a pair of iron hands to replace them. Dagna struggles with her new freedom and her new identity, but after killing a would-be lover with her uncontrolled strength, she banishes herself to the outskirts of society. It’s hard not to think of Frankenstein’s monster in this scene, following that first murder of his own, and I think Isherwood did that intentionally to illustrate Dagna’s shift from innocent to clever to monster in society’s, and her own, eyes.

Here Isherwood leaves those traditional narratives behind, pulling Dagna from the presumed monstrosity of her disability and putting her on the path of redemption. I like the course of this redemption especially because Isherwood upends many of the harmful disability tropes rampant in fairy tales. Neither is the happy ending guaranteed or even inferred, instead Isherwood gives Dagna the agency of her own future.

This kind of fresh take on an old story is key to a successful retelling, and the trope-busting elements are among those I’ve learned to associate with Podcastle over the years.

Now, it’s your turn writers! Give them the best you got. In the meantime, stay healthy and happy writing.

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one of our first spring flowers, a violet from my ‘lawn’

 

Just Enough for Jenny is now available on Short Èdition

Hello writers! I’m happy to announce that I’m feeling much better and Submit Your Stories Sunday WILL be happening this week (stay tuned… )

In more personal news, my flash fiction piece Just Enough for Jenny has been published by Short Èdition/Rendez-Vous fiction! This market was featured on a Submit Your Stories Sunday about a year ago, so if you’d like details on submitting to them, check out that post here.

Just Enough for Jenny tells the story of a grieving fisherman who spies a mermaid in the bay and remembers an old bit of folklore that just might save his beloved. If you’d like to read my story, click here. I’d love to hear what you think! All stories are available on the website without charge. The fun thing is that my story will also be in one of their short story dispensers, fun little vending machines for short stories in waiting areas around the world. How cool is that?

Wishing you well, see you Sunday!

apologies

Apologies again, my friends, but there will be no Submit Your Stories this week. That makes two weeks in a row and I hate it but I’m struggling with an infected wisdom tooth (not Covid!) that is causing some incredible pain. My doctor gave me antibiotics and pain killers and if there is no hope by Monday, I’m to see the emergency dentist. It looks like that trip will be happening. In the meantime, sitting upright and away from my ice pack is a struggle, so I’ll say goodnight and hope to back in writing shape soon.

a weekend off

hello my writing friends, I’m sorry to say but I need to take this week off of Submit Your Stories. Some things have come up that require my attention but rest assured we’ll be back with a new submission for you next Sunday, May 26th. I apologize for any inconvenience.

Submit Your Stories Sunday: climate fiction

Welcome to this week’s edition of Submit Your Stories Sunday. Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I’ll recommend a story to get you thinking about your own submission and to help newer writers understand how to fulfill a call’s thematic elements.

This week we’re submitting to And Lately, the Sun and reading Priya Sarukkai Chabria’s Mid-term Ecolit Examination.

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And Lately, the Sun

Eligibility: speculative stories from 2K to 8K words that re-imagine the future under climate change.

Take Note: the editors want stories that engage possible solutions, rather than point out concerns

Submit by:  June 30th, 2020 – please note this publisher is in Australia, which has a significant time change from say, Canada (where I am), and submit accordingly

Payment Offered: $80 AUD per story, with one chosen as the ‘editor’s pic’ which will receive $500.

Click here to go to the original call for full details.

A Story to Ignite your Writing Mojo

I am bending the rules on the usual story-that-meets-a-theme on this episode of Sunday. I’ve been hunting up cli-fi stories over the past few days and I keep coming back to this one: Mid-Term Ecolit Examination Paper by Priya Sarukkai Chabria. You can read this story by clicking here now. Now, with this story, the reader has to put in an effort to piece together the world, but it also gives you, as a writer, a lot of options to play with. And although I’m not sure Chabria’s story engages solutions enough for the editors of And Lately, the Sun I do think it can be an excellent catalyst for your story.

In much of our apocalyptic/climate change literature, we often engage the natural world as the antagonist, while Chabria turns that on it’s proverbial head, painting a softscape of nature and it’s beauties. We see the destruction, but the edges are softened by reveries of green. This softening is the same effect that nature has on human stress levels, so using this element to counter nature-as-antagonist is elegant and moving to me as a reader. This is an astounding story when you begin to dig into the meat of it and let go of a search for typical narrative structure.

Chabria has also juxtaposed what is clearly a world emerging from chaos with typical education structures. Someone is taking an exam in middle school, which suggests that ultimately, something of who we are now has survived, somewhere past the passion of political poems, burning tires, flooded cities, and volcanic eruptions.

Now it’s up to you to engage some solutions and frame up your story submission. I hope you are well, washing your hands, wearing your masks, and I wish you good writing.

and in my personal writing news…

I have a space mythology story coming out in the June issue of Metaphorosis magazine, entitled Zsezzyn, Who is Not a God. It’s the story of a girl who is poised to inherit the universe only to discover it has been destroyed in a bid to maintain her family’s control over it. To save the stars she loves, Zsezzyn must reach deep into the wells of her own creativity. Here’s the cover, giving me big grins to see my name on it:

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This issue won’t be out until June, but pre-orders just opened for the e-book.

Submit Your Stories Sunday: Andromeda Spaceways

Welcome to this week’s edition of Submit Your Stories Sunday. Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I’ll recommend a story to get you thinking about your own submission and to help newer writers understand how to fulfill a call’s thematic elements.

This week I’m bursting with excitement to bring a call from Andromeda Spaceways, mostly because they’re the place where I got my second acceptance, AKA the one that means it’s not a fluke. However, it’s also because I’ve always wanted to showcase them  here but, as many of you know, I don’t want struggling writers to face a paywall in the stories we use to showcase the magazine. So when I noticed that Andromeda Spaceways released a free Apocalypse Edition of stories written by Sean Williams, I had to take my chance. However, this is bit trickier than the usual click of a website, because you’ll have to follow the link and then download the story as a .pdf file. Ugh, Jennifer, don’t make us read an entire magazine of awesome science fiction. Right? Get reading, writers, its good for your stories.

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Andromeda Spaceways

Eligibility: speculative stories of up to 10K words, although subscribers and authors living in New Zealand or Australia may submit stories of up to 20k words.

Take Note: all submissions must be anonymous

Submission deadline: the current opening is scheduled for May 1st until June 30th but at time of writ their website is still reading closed (checks date). I’m sure this will be rectified soon. time has been tricky to keep track of since lockdown began.

Payment offered: $0.01 (AUD), with a minimum of $20 and a maximum of $100

Click here to go to the original call for full details.

A Story to Ignite Your Writing Mojo

As previously mentioned, you’ll have to click here and download the Apocalypse Edition. Once you’ve got that handled, you should read this entire issue to get a strong sense of the editor’s taste, but for our purposes I’m going to focus on a flash piece that stood out to me: Tales About Today My  Great-Great-Granddaughter Will Tell Me, written by Sean Williams.

This has lot to say for a flash, Williams deftly shining a mirror that will make you cringe on modern society. We see our everyday from four generations ahead, and (spoilers) they don’t hold up. We are almost inexplicable in our foolishness, and that’s hard to see, but… this is also a good time to see it? Our species, huddled into our Great Pause, is facing a major shift. We will grow beyond this – though in what direction we do not know – and the growing pains have already begun. Stories like this help us think about who we want to be on the far side of that growth, and spur us on to keeping the power of those choices instead of grinding forward to maintain our place in a machine that is falling apart.

That’s all for this week, folks, I wish you all good health, strong submissions, and a wealth of story ideas.

Happy writing!