Submit Your Stories Sunday: Science Fiction

Welcome to this week’s edition of Submit Your Stories Sunday! Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I’ll recommend a book to help inspire your story submission and finish off with a list of the best writing-related articles I came across this week.

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Luna Press Publishing’s Open Call for Science Fiction Novels

Eligibility: unpublished science fiction novels presented as a detailed, chapter by chapter synopsis plus the first three chapters. New writers are welcome.

Take Note: each novel must stand alone, whether it be part of a series or no

What makes this call stand out: writers do not need an agent to submit to this publisher (which also comes with a word of caution to be wary and inspect any contracts with care).

Payment: to be determined

Submission window: January 1st, 2019, to January 6th, 2019, at midnight UK time.

Click here to go to the original call for details.

A Book to Inspire Your Writing:

If you’ve been here long enough, you’ve heard me mentioned Binti and author Nnedi Okorafor before, and that’s because Binti is one of the best science fiction books I’ve read to date.

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Binti the protagonist is a Himba woman who thinks in mathematics, math trees, and has a deep connection to her earthly home. When she leaves her home to travel to Oomza University, across the galaxy, she brings with her a jar of otjize, or clay from her homeland, that her culture wears in her hair and on her skin. Her ship is attacked by an octopus-like species called the Meduse and Binti finds herself the sole survivor by dint of her otjize. Survivorship thrusts her into a strange new role as an unwilling ambassador for the Meduse, who may not be as terrible as she was led to believe.

There are multiple reasons why I enjoy the Binti series so much (of which there are three so far), but the most compelling for me was the way in which Binti cared for her link to the soil of her home. As a nature lover, the idea of leaving Earth nature behind to travel the stars has always held me back (because all those opportunities I’ve had to travel deep space, right?).

Another highlight is the depth of the Himba culture in this story and what a surprising sense of relief it gave me to experience space travel through a lens that is not the standard, privileged white person standpoint. Space felt new, and somehow more real because it doesn’t exist in the story as simply a territory to be explored and tamed.

Next up are the math trees, which I’m not going to say I fully understand in the mathematical sense, but I could fully empathize with how they could calm someone in sequences of deep anxiety because Okorafor is a wonderful writer and pulls this off masterfully.

Writerly links worth sharing this week:

Matthew Vollmer’s lovely Glimmertrain bulletin essay, the Literary Masquerade: Writing Stories Disguised as Other Forms of Writing, inspired me to return a piece I had languishing in a drawer. Maybe it will do the same for you.

Happy writing!

Submit Your Stories Sunday: Darkness and Chillers

Welcome to this week’s edition of Submit Your Stories Sunday. Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. I’ll follow it up with a book to inspire your writing and a small collection of writerly articles to fuel your craft.

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Curse the Darkness: an Anthology of Dark Fiction

Eligibility: Original, speculative stories written on the theme of darkness from 3 000 to 10 000 words. Think Doctor Who‘s Vashta Nerada.

Take Note: the editors specifically request stories that will make them “afraid to turn off the lights.”

What makes this call stand out: this is Unlit Press’ inaugural anthology and they are offering writers good rates from the start. This suggests they are confident that their marketing strategy will put this book, and potentially your story, in the hands of a large audience. Offering writers a print copy further suggests they are not relying on selling copies to said writers to offset their costs.

Payment: 75 Euros and one print copy of the anthology

Submit by: December 31, 2018

Click here to go to the original call for details.

A Book to Inspire You:

Chillers From the Rock is an anthology of twenty-five creepy tales written by Atlantic Canadians and published by Newfoundland’s Engen Books. For readers outside of Canada, the province of Newfoundland is often referred to as ‘The Rock.’

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sorry ’bout the raindrops, but they do beat snow

I must admit a few of these stories made me hesitate to turn off my lights. Eryn Heidel’s mysterious, foggy adversary in The Pursuit made me put off going to bed entirely. Do not read it on a foggy autumn night like I did.  Samuel Bauer’s tense take on the Scottish legend of the Nuckelavee made me sink deeper into the safety of my couch cushions. Peter Foote’s wonderful A Friend in Shadow made me pull out my flashlight against the darkness threatening in the corners of my room. The flashlight’s name is Scorch-Bite now. Kelley Power’s oddly hopeful tale Treatment is a horror/fairy tale for the helpless. Depending on which side of the spectrum of evil you may fall on, you’ll either sleep tight or not at all. Read at your own risk.

There are tales here from mildly creepy to full-on supernatural horror, with a handful of paranormal beasts and gore thrown in. The quality of the stories, however, is consistent across the genres. I’ll be reading this one again.

Writerly Links Worth Reading this Week:

I’m still deep in NaNoWriMo and most articles aren’t making it through the writing fog, but the Suicide Bomber Sits in the Library drama certainly did. Facing a strong backlash for the possibly well-intentioned but extremely harmful stereotypes in the graphic novel and the violence it could inspire against Muslim individuals in an environment of seething white supremacy, Abrams decided to pull the book. I think the biggest take-away from this situation is the need to consider what damage can be caused when writers play fast and loose with their imagined perspectives of marginalized people.

on the cancellation of autumn

Late fall is my favorite time of year to explore the woods. No bugs, no dense vegetation to crush, the forest floor cold and crunchy. There’s a waterfall not far from home I like to bushwhack to once a year, after hunting season is over in late November.

 

On the mountain, it’s a season of startling beauty.

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This year, late fall was cancelled. I have hopes it will return, but not big hopes. If it happens I’ll hike up to my waterfall and take some photos for you. Winter has beautiful views as well, I’m just not sure how I’ll handle two extra months of endless white. Three months in and I swear my eyes crave color the way my tummy craves chicken noodle soup. There’s nothing more to do but hermit inside with brightly colored books and yarns and write myself stories of green.

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The eerie element to this early winter is the nagging question. Is this our new normal? We’ve had intense storms, usually reserved to February, several times in the past weeks. The old-timers shake their heads and say we’ve had storms and early winters like this before, and we have, just not all at once.

Most of my life I’ve heard about climate change, studied it in college and university, and somehow the reality isn’t what I expected. Rising sea levels? We’ll choose a house at an elevation. More snow, more intense storms? Haha, I’m a Maritimer, we ARE winter. And yet… maybe its being a mother, but I don’t remember storms scaring me speechless before. Power failures, snow, I can handle. The wind clawing like a rabid dragon to get inside my house? Okay, you got me. I mean, I have stories to write about it, sure, but scared. Scared isn’t a good feeling when you have two small people waiting for you to tell them they’re safe. I’m their mom. I have to make sure they feel safe, despite the tongue-sticking dryness in my mouth as I force myself to say what they need to hear in a cheery voice, the rest of my brain devoted to running worst-care-scenario plans and ignoring the heavy, awful feeling settling onto my chest.

I remind myself there are people in hurricane zones who are accustomed to much worse winds then we’ve been getting. Folks in the Arctic have winters longer than the six months we may be facing here. There are actual nightmares playing out in the world. Normal is relative, and change is hard for us humans, but fighting and denying it doesn’t make it any easier. It’s time to adapt.

 

Submit Your Stories Sunday: Wonders

Welcome to this week’s edition of Submit Your Stories Sunday! Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I’ll recommend a book to help inspire your story submission.

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Cast of Wonders

Eligibility: Stories written for an audience of 12-17 years, filled with wonder and emotional resonance. High fantasy, science fiction, and horror are welcome providing they can no adult elements.

Take Note: Cast of Wonder is accepting both flash fiction and short stories during this submission window. Be aware that all submissions are anonymous and adjust your manuscript accordingly.

What makes this call stand out: Cast of Wonders offers pro rates to writers and give you the chance to hear your story read by a voice professional on their highly rated podcast

Payment: $0.06 per word, USD.

Submit by: the current submission window closes December 15th, 2018, but check their schedule in the link below for upcoming dates if you miss this one.

Click here to go to the original call for details.

A Book to Inspire Your Submission:

Jeff Vandermeer’s Wonderbook: the Illustrated Guide to Creating Imaginative Fiction is an art-rich extravaganza for the writer’s senses. Featuring essays and contributions from Neil Gaiman, the late Ursula K. Le Guin, Nnedi Okorafor, Catherynne M. Valente, and many more, there is something within these pages for every writer to learn.

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My first attempt to read this book from cover to cover faltered, but keeping it on my bookshelf and dipping into chapters as I need guidance has given me much inspiration. For those who like to know exactly what they’re getting into, the chapter heading are as follows; Inspiration and the Creative Life, the Ecosystem of a Story, Beginnings and Endings, Narrative Design, Characterization, Worldbuilding, and Revision. Included are some of the wildest infographics I’ve seen yet.

This book mimics a university text, but it sets aside the dullness for feats of the imagination and pockets of real wonder. Find a copy, flip through it, and see if you don’t agree.

In writing news, I have a flash fiction story published in the latest Fantasy Files newsletter from Engen Books. You can read it for free here.

Happy writing!

 

 

Sister Toad

A witch turned Breanne into a toad for making fun of the witch’s warts. “I earned every one with a spell well done,” muttered the witch as she walked away. Now Breanne had warts of her own and hid underground where no one could see her.

The only person she would allow to visit was her sister, Senora, who came every Saturday.

Years passed. The girls grew up.

One Saturday Senora made an announcement. “You should know, I took up magic. I’ve studied and studied and I’ve finally got a spell to turn you back into a girl.”

Breanne croaked with joy.

Senora shut the door and hung her lantern on a root. She cleared her throat and readied herself for the spell. “Toadstools to footstools, nightmares into dreams, turn sister toad into a girl!”

There was a shimmer of light and Breanne the girl stood where the toad had been.

“It worked!” Senora whooped with pride.

Breanne gazed at her hands, whole and unwebbed at last. How she had missed them. How she had missed her own beautiful face! She yearned for a mirror.

Breanne reached out to embrace her sister, grimacing as she noticed a witch wart appear on the end of Senora’s nose. “Gross! You’ve got warts.”

Senora’s anger crackled in the air. “It’s a badge of honor for a working spell.”

“Ugh. Get rid of it.”

“As you wish, you ungrateful toad.” Senora’s spell dissolved, the wart disappeared, and her sister turned back into a toad.

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Submit Your Stories Sunday: Supernatural Tales

Welcome to this week’s edition of Submit Your Stories Sunday! Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance. Next, I recommend a book to help inspire your story submission and finish off with a list of the best writing-related articles I came across this week.

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Vampires, Zombies, and Ghosts

Eligibility: stories from 1200-6000 words in any genre containing supernatural beings

Take Note: despite the tentative title, Smoking Press is looking for stories of supernatural beings outside of vampires, zombies, and ghosts as well .

Payment: $20 USD plus two complimentary paperback for writers in Canada and the U.S., and/or $20 USD plus one complimentary paperback for writers outside of Canada and the U.S.

Submit by: December 15th, 2018

Click here to go to the original call for details.

A book to inspire your writing:

For purposes of supernatural inspiration, I recommend you pick up one of Hugo and Nebula award winning  author Seanan McGuire’s October Daye books. The twelfth book in this series came out last August (Night and Silence) and another is scheduled for 2019 release. The first book is entitled Rosemary and Rue and you can probably find it at your local library or on their overdrive app. This is urban fantasy at its finest and McGuire never fails to deliver the intricate and unexpected.

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The series follows Toby, or October, Daye, a fairy changeling working as a private investigator. Her cases focus on the collision of fairy and human in a world with such depth I’ve often wondered if I’ll feel I’ve wandered through it all. Wonder and tension, magic and murder, cityscapes and fairyland are layered upon the page in stories you’ll wish your imagination had come up with.

Toby’s own history and personal flaws make her readable and identifiable. She’s only half-fae, standing on the outside, though not quite as outside as a mundane reader, which makes her the perfect interpreter of the fairy world. This isn’t Tinkerbell or teeny tiny angelic insects, this is the fae of Celtic mythology and you’d better be on guard for tricksters.

Though the series began in 2009, the early books still have a freshness to them that sucks you in with thoughts of “ooooh, I haven’t read THIS before.”

To the library!

Writerly links worth sharing this week:

This article in Gizmodo tackles the idea of utopias and why humanity may benefit from a break from all of this dystopia.

Happy writing!

IWSG: NaNoWriMo in a power failure

Welcome writers and readers! This is the first Wednesday of the month, and that means its time for the monthly Insecure Writers Support Group (IWSG) post. You can read the other authors’ IWSG posts here.

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It’s November, and November is a magical month for writers. Its the month we all get together and stop talking about writing, complaining about writing, etc etc, and we write. The official goal of National Novel Writing Month (NaNoWriMo) is 50 000 words, or 1 667 written words per day. The point of the thing is taking up a challenge with a wealth of support around you, and that’s where the magic lies.

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How it feels to hit your wordcount for NaNoWriMo,                                Photo by Sebastian Voortman on Pexels.com

This year, I have a list of some twenty-five orphaned story ideas I gleaned from my notebooks. As many words as it takes, I vowed to my would-be stories, I will write you this November.

Now, every past NaNoWriMo I’ve participated in, I wrote by hand and tallied up my words on the corner of every page at the end of the day. I prefer to write this way, and I’d won NaNoWriMo enough times to feel confident doing it this way (if you’re curious how to verify, check the rules for ‘the Luddite clause’ for instructions). However, with this year’s goal I need to hit some serious wordage so I decided to type it on the laptop instead.

This is probably the moment in the story where the universe laughs maniacally and the heroine’s fate is sealed. Or it would be, if I was a heroine or a goddess and not a scruffy looking story hunter fresh from the woods.

I started off, ploughing through the first short story a random number generator chose from list. Everything was wonderful and that glorious creative high I always get from a November writing spree was settling into my brain, turbocharging my creativity when a storm with 100km (that’s at least a million mph) winds loomed on the weather forecast.

I backed up my project and I warned my friends to do the same. I can only hope they listened and no stories were lost.

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Rain splattered the house, winds ripped at the roof. The power went out. Trees crashed down in the enchanted forest surrounding the house.

The howling and crashing woke both of the kids, frightened by the fury outside their windows. We pulled a mattress into the living room, far from the windows facing the wind, and snuggled into a groggy, sleepless night.

The storm faded by morning but the power didn’t come back on. My laptop battery was strong enough I didn’t worry that first day. I kept writing, twitching now and again for the lost ability to google facts in a pinch, but happy to have a distraction from the outage. The girls played with Lego and roasted hotdogs in our fireplace and thought it all a grand adventure.

I found a branch flung from a tree and lodged a solid 30 cm into the lawn by the force of the last night’s wind. It stuck up into the air, a failed assassin. I left it there and wrote it into a story.

The second day my eldest left for school and the baby didn’t mind the lack of electricity once the sun came up. The freezer was failing. The fridge didn’t smell right. Despite only turning on my laptop for writing into a word document, the battery ran low. I missed that encouraging little bar graph on the NaNoWriMo stats page like an addict misses their fix.

We don’t have a generator, so I started our pick-up and ran an extension cord from the outlet in the box into the house, you know, just like grandpa used to do before electricity. I tell ya, we live in The Future, folks.  I charged the laptop while I charged my phone in the cigarette lighter. The fridge and freezer got their turn and we weren’t any worse for the power outage. It was almost fun.

The third day school was cancelled, and the sun never made it through the clouds properly. The house was dim, the kids were bored and stuck indoors while a cool rain fell through thick fog outside. It stopped being fun. Tempers flared. The last hotdog was roasted in a hail of whining.

I kept writing. It seemed as though I wrote so much more with the power out, after all, there wasn’t much else to do besides read and after the sun set that was out (I wanted to conserve the flashlights for when the kids were up). A laptop, candlelight, and NaNoWriMo – is there a better date a writer could take themself on? I think not.

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actual photo of NaNoWriMo 2018

In the end, I didn’t actually end up writing any more than I did with power, probably because there wasn’t any way to distract the girls and focus on my work.

We bathed in pond water I heated on the woodstove. That’s going in a story someday. It gave me the best hair day I’ve had since becoming a mom, which makes no sense, because that pond feeds our well which feeds our… shower. *Shrugs.*

Tuesday night, last night, the power came back on. After so long without the internet I admit I’m feeling a little overwhelmed by all that social media out there, distracting me from my writing, but again, I didn’t write any more on days without power than I did with. If you’re looking for an anti-social media message, this isn’t it. I like the sense of community I get from my writer’s groups.

I didn’t, however, like missing Doctor Who. Best get back to writing so I can hit my word count and stream it guilt-free later.

Submit Your Stories Sunday on Tuesday: classic fantasy

Hey writers! Sorry for the delay on this week’s edition of Submit Your Stories. My power failed, and thus our internet, Saturday night in a rather terrifying storm. First a migraine, then a power failure, is the universe conspiring to keep you from submitting your stories?

Of course not. Nip that negative thought in the bud, because my power is back on and here is this week’s edition edition of Submit Your Stories Sunday! Every week I bring you a unique call for submissions to help you find a home for your stories or inspire a new one. Each call will contain a speculative element and will offer payment upon acceptance.

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Inklings Press Fantasy Anthology (title TBA)

Eligibility: Surprising and exciting fantasy stories near the 5 000 word mark, written for a PG-13 audience.

Take Note: Sword and sorcery welcomed, but urban fantasy might be a stretch. It’s worth noting further still that this publisher is named after Tolkien and C. S. Lewis’ critique group, the Inklings, which offers a fair clue to the classic style of fantasy they enjoy.

What makes this call stand out: paperback copies are available at cost for authors to sell at conventions, websites, etc.

Payment: $50 per story

Submit by: December 31st, 2018

Click here to go to the original call for details.

A Book to Inspire Your Submission:

Kelly Barnhill’s The Girl Who Drank the Moon is a classic fantasy story that will help your soul escape from any trappings of reality. I loved every moment spent inside this book. More than once I had to put it down and savor the moments. The actual scene, near the beginning, where the witch accidentally feeds the baby moonlight instead of starlight, stayed with me for a long time. The magical writing combined with vivid imagery reminded me exactly why I write. It’s for those moments.

The rest of the book doesn’t disappoint. It speaks of the misunderstandings we are unaware of that lay underneath our communities and cultures. After a baby is left abandoned in the forest, a kind witch rescues her, as she does for every baby left there, year after year. After the moonlight feeding incident, the witch keeps this baby rather than delivering her to a family for raising. She binds the moonlight magic filled baby Luna and raises her alongside a tiny dragon and swamp monster. But little Luna grows and soon her magic starts spilling out and… SPOILERS, REDACTED.

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Treebeard approved

If you’re a fan of classic fantasy and glorious storytelling, find this book. You won’t regret it. With a little luck you might even find some moonlight to drink and en-magick yourself.

Writerly links worth sharing this week:

This crazy news story reads like fiction. NSFW due to language.

NaNoWriMo has started and I’ve had some low points already that sent me into the pep talks archive. This one, written by author Catherynne M. Valente, inspired me through a bad patch.

If you’re participating in NaNoWriMo and want to be writing buddies, my username is naturegirl and I’m writing through a growing stack of short story ideas this month. What are you working on?