My first writing teacher was my high school’s gym teacher. What could go wrong?
There we were: a small group of sensitive, bespectacled book nerds, our heads full of poetry, our thoughts a jumble of hormones and innocence, eager to pursue our dream of becoming a writer.
Toss in an angry meathead who doesn’t want to teach writing or have any respect for the craft. Boom. Mentally dismembered young writers, their unwritten stories bleeding on the linoleum floor, wondering what the hell hit them.
The experience turned me off writing classes for decades. I wrote here and there for the following year, a twinge of remembered horror with every word. That passed with time, and writing became a joy again.
After my first small publications, I wanted my writing to grow further and faster than craft books and critique partners could take me. I took a deep breath and hunted around for a class.
I ended up taking a short story class with Gamut (horror fiction magazine) editor Richard Thomas at Litreactor. I did my research to make sure I respected his work, finding some of his short stories, reading his Storyville column, and asking writers I know if they’d had the experience of working with or learning from him. The responses I got were favorable, so I signed up for the class.
And I got so much out of it.
Richard picked out my weaknesses and addressed them. He pointed out my strengths and built upon them. At multiple points in his lectures I had a ‘eureka!’ moment where I figured out what was making some of my stories fall short (and how to fix them). Never once in his critiques did he try to make my voice sound like his voice, and that’s what impressed me the most.
Now that the class is done, I’m going back to stories I’d given up on and getting excited about them again.
What the heck is your point, Jenn? I couldn’t find actual reviews of writing classes when I was hunting for one. There’s kajillions of them out there, and they cost money. For a struggling writer, money is often an issue and every hack with a wifi signal is onto the ‘masterclass’ buzzword. It can feel like a gamble.
I believe most writers will benefit from a class with Richard. The value is well worth the cost. Yes, this is an honest review. I’m not getting any compensation for it.
Richard Thomas has another Litreactor class starting up in late July, this one focusing on flash fiction. Check out his website and you’ll see even more. My kid’s got cavities we need to fix, so I can’t take another class for a while. Don’t be like us. Brush, floss, and take Richard Thomas classes.
Now if you’ll excuse me, I’ve got some short stories to work on.